{"id":5056,"date":"2019-11-04T00:00:59","date_gmt":"2019-11-03T15:00:59","guid":{"rendered":"http:\/\/skkutmi.dothome.co.kr\/?p=5056"},"modified":"2021-03-17T17:09:50","modified_gmt":"2021-03-17T08:09:50","slug":"2019-%eb%89%b4%eb%af%b8%eb%94%94%ec%96%b4%ec%99%80-%ec%82%ac%ec%9a%b4%eb%93%9c-2","status":"publish","type":"post","link":"http:\/\/tmi.or.kr\/?p=5056","title":{"rendered":"2019 \u201c\ub274\ubbf8\ub514\uc5b4\uc640 \uc0ac\uc6b4\ub4dc\u201d"},"content":{"rendered":"\t\t
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\uc694\uc57d<\/h5>

\uc77c\uc2dc<\/strong> : 2019\ub144 11\uc6d4 4\uc77c
\uc7a5\uc18c<\/strong> : \uc131\uade0\uad00\ub300\ud559\uad50 \uc218\uc120\uad00
\uc8fc\ucd5c<\/strong> : \uc131\uade0\uad00\ub300\ud559\uad50 \ud2b8\ub79c\uc2a4\ubbf8\ub514\uc5b4\uc5f0\uad6c\uc18c
\ud6c4\uc6d0<\/strong>: \ud55c\uad6d\uad00\uad11\uacf5\uc0ac, \uc131\uade0\uad00\ub300\ud559\uad50 \uc0b0\ud559\ud611\ub825\ub2e8<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\ud559\uc220\ubc1c\ud45c<\/h5>\n
\uc81c1\ubd80<\/span>
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Elliot Wood (KIMCHI & CHIPS)<\/b>\u00a0\u2502\u00a0<\/span>\ubbf8\uad6d \u201cTechnical images that change the way we see\u201d<\/p>

\u00a0<\/b><\/p>

Antonie Coppola\u00a0 (\uc131\uade0\uad00\ub300\ud559\uad50)<\/b>\u00a0\u2502\u00a0<\/span>\ud504\ub791\uc2a4 \u201cThe challenges of new medias and cinema\u201d<\/p>

\u00a0<\/b><\/p>

CHEN JINJING (\uc911\uad6d\uc608\uc220\uc9c1\uc5c5\uad50\uc721\ud559\ud68c \uc804\uad6d\uc7ac\uc988\ub304\uc2a4\uc2dc\ud5d8\uc13c\ud130)<\/b>\u00a0\u2502\u00a0<\/span>\uc911\uad6d \u201c’\ub304\uc2a4 \uc2a4\ub9e4\uc2dc(Dance Smash, \u821e\u8e48\u98a8\u66b4)’ \ud504\ub85c\uadf8\ub7a8\uc5d0\uc11c \uc0ac\uc6a9\ub41c ‘\ube14\ub9bf\ud0c0\uc784(Bullet Time)’\uc758 \ud6a8\uacfc\ub85c \ucd09\ubc1c\ub41c \uc911\uad6d \ub274\ubbf8\ub514\uc5b4 \ubb34\uc6a9\uc5d0 \uad00\ud55c \uace0\ucc30\u201d<\/p>

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Anne-Mareike Hess (\uc548\ubb34\uac00, “Utopic Production” Company)<\/b>\u00a0\u2502\u00a0<\/span>\ub8e9\uc148\ubd80\ub974\ud06c\u00a0 \u201cSound, body and movement in the context of contemporary choreography:\u00a0 a complex relationship\u201d<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\uc815\uc9c4\ud638 (\uc218\uc6d0\ub300\ud559\uad50)<\/span>\u00a0\u2502\u00a0<\/span>\ud55c\uad6d \u201c\uad6d\uc545\uc758 \ud604\ub300\uc801 \ub0b4\ub7ec\ud2f0\ube0c\u201d<\/p>

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\uc9c0\ubbf8 \uc138\ub974 (\uc0ac\uc6b4\ub4dc \ub514\uc790\uc774\ub108)<\/span>\u00a0\u2502\u00a0<\/span>\ud504\ub791\uc2a4 \u201c\uc18c\ub9ac\uc640 \uc74c\uc545, \uc74c\ud5a5\uc801\uc778 \uc9c0\uac01\uacfc \uac10\uc815\uc801\uc778 \uc9c0\uac01\u201d<\/p>

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\uc784\uc591\uaddc (\uc911\uc559\ub300\ud559\uad50)<\/span>\u00a0\u2502\u00a0<\/span>\ud55c\uad6d \u201c\uc18c\ub9ac\ub97c \ud1b5\ud55c \uc815\ubcf4\uc758 \uc804\ub2ec\uacfc \uc608\uc220\u201d<\/p>

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\uc774\ub3d9\uaddc (\uc131\uade0\uad00\ub300\ud559\uad50)<\/span>\u00a0\u2502\u00a0<\/span>\ud55c\uad6d \u201c\uc18c\ub9ac\uc758 \uccad\uac01\uc801 \ucc28\uc6d0\uacfc \uc9c0\ud3c9\u201d<\/p>

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\uc190\uc724\uc120 (\uc11c\uac15\ub300\ud559\uad50)<\/span>\u00a0\u2502\u00a0<\/span>\ud55c\uad6d \u201c\uacfc\uac70\uc758 \uc74c\uc545, \ubbf8\ub798\uc758 \ub370\uc774\ud130, \uadf8\ub9ac\uace0 \uc0ac\ub78c\u201d<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\uc694\uc57d \uc77c\uc2dc : 2019\ub144 11\uc6d4 4\uc77c\uc7a5\uc18c : \uc131\uade0\uad00\ub300\ud559\uad50 \uc218\uc120\uad00\uc8fc\ucd5c : \uc131\uade0\uad00\ub300\ud559\uad50 \ud2b8\ub79c\uc2a4\ubbf8\ub514\uc5b4\uc5f0\uad6c\uc18c\ud6c4\uc6d0: \ud55c\uad6d\uad00\uad11\uacf5\uc0ac, \uc131\uade0\uad00\ub300\ud559\uad50 \uc0b0\ud559\ud611\ub825\ub2e8 \ud559\uc220\ubc1c\ud45c \uc81c1\ubd80 Elliot Wood (KIMCHI & CHIPS)\u00a0\u2502\u00a0\ubbf8\uad6d \u201cTechnical images that change the way we see\u201d \u00a0 Antonie Coppola\u00a0 (\uc131\uade0\uad00\ub300\ud559\uad50)\u00a0\u2502\u00a0\ud504\ub791\uc2a4 \u201cThe challenges of new medias and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[85],"tags":[],"_links":{"self":[{"href":"http:\/\/tmi.or.kr\/index.php?rest_route=\/wp\/v2\/posts\/5056"}],"collection":[{"href":"http:\/\/tmi.or.kr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/tmi.or.kr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/tmi.or.kr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/tmi.or.kr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5056"}],"version-history":[{"count":7,"href":"http:\/\/tmi.or.kr\/index.php?rest_route=\/wp\/v2\/posts\/5056\/revisions"}],"predecessor-version":[{"id":5068,"href":"http:\/\/tmi.or.kr\/index.php?rest_route=\/wp\/v2\/posts\/5056\/revisions\/5068"}],"wp:attachment":[{"href":"http:\/\/tmi.or.kr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/tmi.or.kr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5056"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/tmi.or.kr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}